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Qi Baishi's seals excel in their directness and spirited boldness. When appreciating them, look for the texture of the stone and the character of the seal, the density and spacing of the design, the temperament of the inscription, and the aura of the border text, to experience the artistic charm of daring originality and cleverness within simplicity.
Idle chapter seal design
On September 29th, the "Most Beautiful is Hangzhou" 2026 Hangzhou City Calligraphy and Seal Carving Exhibition opened at the Xiling Seal Society Museum, featuring over 300 works in art, calligraphy, and seal carving. The exhibition will be open to the public free of charge until October 18th.
Yu Zheng's篆刻 lines, characterized by their shape, the relationship between the chisel and brush, and the treatment of the border, emphasize the beauty of seal carving lines. He advocates for inheriting the tradition of Han and Imperial seals while seeking change and innovation, achieving a fusion of the chisel and brush.
This article traces the evolution of Chinese seal carving, from practical seals of the Shang and Zhou dynasties to the artistic expression of the Ming and Qing dynasties, showcasing the cultural spirit and aesthetic pursuits of three thousand years within a small space.
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